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Bayimba; Uganda’s most amazing Arts festival


The creativity at this festival will stun you. The Bayimba International Festival  2015 is here, it is the largest arts festival that show cases amazing African art.  For eight years now, Bayimba has created a space where people can freely express themselves using art. This space sees how every artist can fit in the art puzzle.  They started  and decided to be multi-disciplinary because they wanted to be open to new ideas, art forms, new exploration a thing that makes every are inclusive – street theater, visual arts, film, fashion, music being the most vibrant and theater itself. This is Uganda talked to the Bayimba team.

“We have seen transformation of the artists, the art itself, lots of collaborations and exchanges that excite us amidst other spin-offs that have come out. For instance young artists have started creating new stuff and new festivals meaning that there is a market and need which wasn’t there before Bayimba.

This year, we are not  highlighting any specific artist but will program cross cutting kind of  performances and productions that we feel like everyone who comes to the festival will find something they like. So we are multi-disciplinary so it is very difficult for us to say the headline artists because we believe that every artist selected for the festival is really special and they deserve to be part of the entire program.

But there are some special artists like Madoxx Ssematimba because last year he performed late and some people didn’t get chance to see him perform so we chose him to open the festival this year. We brought in also Sheebah for the fact that most people think National Theater is a place for old people so bringing in young artists like Sheebah, Radio and Weasel can bring in young audiences.

This year, we  have lots kadongo kamu artists programmed for to bring on aboard those oldies because who we realized are 12% of our following is between the age of 65 years and above and we cannot afford to leave them behind. .

We have also included a lot this year for example audience activities where we want audiences to be part of the festival not to come and just be entertained. We have sessions where audiences will come and take photos with the artists in a frame and then they tell a story of how they interpret that frame which is a way to create conversation and dialogue in a way that we don’t only tell people what they should hear but they can also tell us what they think in general.

We do also have a lot of conferences and symposiums on photography, animation, art, media.


Legendary reggae artist Madoxx Ssematimba (middle) , will be the key artist at the #Bayimba2015. (Photo: Bayimba)

How did the Bayimba festival start?

When it started, it was just a thought  that evolved.  We were interested in exploring new art forms, new media, engagements and collaborations which is why most of our productions, 60% of the program is commissioned works whether it is on the main stage, auditorium, around the space because we don’t want people to see things they see everyday and we try to push the artists to think beyond what they can present yesterday or today but to think for the future and that also gives a better understanding of the audience to start questioning themselves what is the future, past and present. This kind of ideology around the art, the space and the artist is the question we want people to start asking themselves.

We want artists  to enjoy, we don’t want to be bothered by troubles of thinking beyond what they can imagine and at the same time there are those who take time to look at things from a critical point of view and question themselves so the idea of the program now, is to see how we create this dialogue amongst the artist and the audience plus the art itself because when you present new art forms, you are trying to create awareness.




What challenges have you faced in your 8 year Journey?

It was a challenging and humble beginning in a way that it gave us everything in one bit because the first festival was bad in terms of attendance. This gave us an understanding that the kind of art we presented in the first event was not familiar with the people. They didn’t understand what a festival is, what contemporary dance is, street theater and these things we needed time to educate the audience and the artists as well what is street theater. We had I think in 2010 we organized a street theater workshop for one month and most of the artists who were there they thought they knew street theater but they realized its a whole different ball game and even in fashion, we introduced street fashion and we started with Kaz Wear (Ras Kasozi) who was also not sure but now he is showcasing at New York Fashion week, London Fashion Week and it all started in this case.

So this is the way how do we trigger thoughts, creativity, how do we stimulate young people to think beyond what they can do and over time, they start understanding that these things are possible and can do them on their own.

The Bayimba Foundation vision talks about recognizing the value of culture and arts in the development of a country, how you rate the contribution of the above on Uganda today?

I think it is a very traditional thought when we talk about art and culture in society. It is what we do everyday and it is what runs community and everyday life at whatever level so the idea of this thought of being a community good, the question now is how do we transform it into sustainable economic development for those that are practicing it not and not those living in it only. For me that’s where the difference is.

So the difference is how do we help those practicing arts and culture that contributes to socio-economic development to be able to sustain themselves and for us as an organization we take this very seriously because we know platforms like the festival are one way of showcasing art.

You can imagine how much transaction goes on during this week. You are paying 600 artists, security, sound engineers, logistics, hotels, venue all these things. So, that economic transaction is one way you can look at it.

The platform then offers an opportunity for the economy to inject money in it directly and then you are looking at the artists performing how they come to be on stage, they are trained, established, they have managers, people they are working with etc so that also gives another sustainable employment and job creation which also includes theater people.

Theater is the most expensive platform to run. We are talking about writers, directors, actors, stage designers, lighting and sound engineers, sound managers you know. All these people are working for one team and that all employment is also there.

So when we are talking about contributing to development, we are not talking about cultures in the definition of it but culture in the broader perspective and we are going deeper into the numbers, the spin-offs, the multiplier effect. When we are looking at the money we spend and how many people come lets say an exhibitor, they pay UGX 100, 000 to come in but sell items over UGX 3M, that is really income generating and from that, how is that money used around them so it is that whole economy we are talking about.

Sad enough is that that whole process is not yet recognized within our economic circles and policies because the government has not deeply looked into it even though they are aware of it and not supported it.

What we can do as a festival is to help build this foundation whereby artists understand that they do not only need to perform but also make money out of it commercially. They don’t need to be on stage with only CDs but with a band which is a whole lot of employment and by the time they begin asking about how they can contribute to the country, then that’s the next step.


what happens after the festival?

It depends on what kind of engagement in the festival that they are in. We are already having a photography workshop going on and they are mentored before, during and after the festival by the tutors themselves. So they engage with them and guide them to become good photographers ready to earn income to continue when the festival is done.

At the same time with the other art forms like music, it depends if an artists is in residence for a collaboration with another artist we can do something but if someone is just paid to perform is not something that we can follow up.

 Five years from now, where do we see the festival going?

It will remain an urban festival. It adds value to the city however we also look out for more events through out the year. Uganda has the best weather, you can have the festival at anytime of the year. We will continue to follow our policy on presenting arts, experimental works, new art forms and things like that and that is how authors will continue engaging with us.

Every year we set the pace. We have to be different and remain on top of our game as the best music and arts festival in Uganda if we stick to our values. What we do is  being multi-disciplinary, we represent all art forms and experimental works and that we will continue to do for more years to come.

Lastly, what advice could you give to any upcoming performing artist in Uganda today.

What I miss in the creative arts sector is this eagerness and enthusiasm for good things without looking out for help where you can come out as an artist and say am working out something and when you present is, everyone goes wow. It is slowly starting starting but we have so many great artists here who can do this but someone put out something and you are like “oh my God”, I think we are not there yet. I think the artists need to think a little bit wider, focus more into creativity. Let them close themselves somewhere and get into a room where no one knows them, switch  off their phones, and just think on what they can do which will make them be different.

So this is what am looking forward to. Am looking forward to this wow moment, ideas that will blow away people’s mind and things that people will not understand but someone puts in time, resources and energy to create and show the citizens that I have been working on this.





Meet the two Ugandans on Marvel’s Black Panther cast

Unlike Nigeria, South Africa and Kenya, Uganda is yet to prove to the rest of the world that she can carve a notable niche when it comes to producing international movie stars.

Nigeria takes the lead with notable movie stars being Nonso Anozie (Game of Thrones), Chiwetel Ejiofor (12 Years A Slave and Half of A Yellow Sun), Adewale Akinnuoye- Agbaje (The Mummy Returns, Pompeii, The Bourne Identity and Concussion), Uzoamaka Nwanneka (Orange is the New Black). The list is really, really endless.

Perhaps Uganda stepping in the Hollywood front line with two international actors of Ugandan origin on the main cast of the long awaited Black Panther,   is a very big relief. 90% of the stars will be Africans/African-Americans with this time having a woman (isn’t this long overdue?).

The two Ugandans on the cast are Florence Kasumba and Daniel Kaluuya. Kasumba will reprise her “Captain America: Civil War” role as Ayo, a member of the Dora Milaje and Kaluuya will play W’Kabi, a T’Challa confidant.

The duo join a “Black Panther” cast that includes Chadwick Boseman as T’Challa, the king of Wakanda and holder of the Black Panther mantle; Forest Whitaker as Zuri; Michael B. Jordan, who will play Erik Killmonger (a Black Panther nemesis); Lupita Nyong’o, taking the role of Nakia; and Danai Gurira as Okoye. Both Nakia and Okoye are of the Wakandan Dora Milaje, the “Adored Ones” and personal bodyguards of the Black Panther, recruited from every tribe of Wakanda. Chosen from rival tribes, their presences maintain a balance of power preventing civil war.

Winston Duke, who also recently joined the film’s cast, will play another villain for Black Panther to take on – M’Baku, described as “one of Wakanda’s most powerful warriors and one of T’Challa’s biggest rivals.”

We already profiled Florence Kasumba, a German actress of Ugandan origin living in Berlin (read her profile here). For starters, Florence Kasumba, that unnamed security guard in Captain America: Civil War, blew us away and now she’s about to do the same in Black Panther and later Wonder Woman which are all to be released in 2017.


Let’s talk more about Daniel Kaluuya.

Who is Daniel Kaluuya?

Daniel Kaluuya is an English  actor, comedian and writer of Ugandan origin. He was born in 1989 in London, England to Ugandan immigrant parents.

At 27, Kaluuya has a somewhat familiar face. You may recognize him from the thriller Get Out (which we reviewed here), the British Twilight Zone-like anthology series Black Mirror, or as Posh Kenneth in the British teen comedy-drama Skins or maybe you recognize him from “Too Many Weave,” his viral parody of the grime collective Boy Better Know’s “Too Many Man”.

Perhaps you’ve seen him flex an American accent as Emily Blunt’s FBI sidekick in the Mexican drug cartel blockbuster Sicario.

Daniel Kaluuya arriving at the premiere of Johnny English: Reborn at the Empire Cinema, Leicester Square on October 02, 2011 in London. (Photo by M Vaudrey/PictureGroup)

Daniel Kaluuya arriving at the premiere of Johnny English: Reborn at the Empire Cinema, Leicester Square on October 02, 2011 in London. (Photo by M Vaudrey/PictureGroup)

He is also the leading man in Jordan Peele’s forthcoming race-driven psychological thriller, it’s very possible you’ll soon know the first-gen British-Ugandan actor as the next big name in Hollywood (you heard it first from us).

Florence Kasumba’s character in Captain America: Civil War was one of the most memorable new characters, despite her only having one line of dialogue. And now, she’s jumping franchises to Marvel’s Black Panther to steal the spotlight once again.

Black Panther is a fictional superhero appearing in American comic books published by Marvel Comics. Created by writer-editor Stan Lee and penciller and co-plotter Jack Kirby, who first appeared in Fantastic Four.

Black Panther will be released on February 16, 2018

Black Panther will be released on February 16, 2018

Additional reporting from Shadow and Act.



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An Interview with Mugabi: An Artist Who Makes Sculptures out of Clay

You might have probably seen or come across the exquisite work of Ugandan artist Cornelius Mugabi during the #DrawingWhileBlack challenge.

Mugabi represents a section of talents artists that you rarely see. Being a sculptor, this is a field that has few players making it a unique one. We start down with him to learn a little more about his creative process and working life and we bring you the conversation.

Tell us about your background. Where did your life as an artist begin?

My mother is a visual artist but has not made art in two decades. I used to watch her paint in 1994-1995. I spent most of my childhood drawing movie characters. My favorite characters were Jesus and Michael Jackson. I did not do art in O’ Level but did it in A’ Level. My best art papers were human figure and imaginative composition. In high school, my friends paid me to make their portraits. I did not do Fine Art at University. I am a self-taught sculptor.

How and when did you adopt your particular style and medium?

I got the idea to do sculpting in 2008 during my S6 vacation but never pursued it. In 2009, the euphoria from Michael Jackson’s death made me revisit the idea to sculpt. Between 2010 and 2013, I tried out different material such as paper Mache but never got what I had in mind. In 2014, I zeroed in on clay as the medium. I adopted my style in October 2015.

Mugabi is a self taught Sculptor who “who meets new people through art”

There are thousands of accomplished artists in Uganda. What does it take to develop your particular if not unique niche in that world?

It takes a lot of exposure to different styles and art forms. It requires patience since there is no formula in choosing what you enjoy doing. The more practice and exposure, the easier it is to understand yourself which in turn makes your niche unique.

What is there to gain by making sculptures?

I get to meet people to share my gift.

When did you make your first sculpture?

I made my first sculpture in November 2014.

His sculpture of actress Lupita Nyong’o

What artists inspire your work and style?

Adam Reeder, Tip Toland, Amelia Rowcroft and Stuart Williamson.

What obstacles do you face in making and exhibiting your work?

Portraiture in clay takes more time to make which means you cannot come up with a standard timeframe. Planning is affected from the business point of view. I need to setup a permanent physical gallery to showcase my work.

What are your favorite sculptures you have made?

Amama Mbabazi and Paul Kagame sculptures are my favorite.

He considers his sculpture of Rwanda’s president H.E Paul Kagame as one of his best

What do you hope is your legacy as an artist?

I hope my legacy will be that my work transcended art forms which means inspiring creatives in music, fashion, poetry.

What motivates you as an artist?

Seeing how far I have come in terms of skill and being aware that I have a long way to go.

What is your dream project?

I have many including working on a movie set. My time is yet to come.

What can we expect to see from you in the future?

Expect a never before seen gallery which will be a must visit for international and local tourists. A school will be setup to teach anyone interested especially the youth.

What advise can you give to beginning artists?

Expose yourself to the best work. Do not undersell your work if it’s great.

Like this story or have something to share? Write to us:, or connect with us on Facebook and Twitter.




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How This Man’s Striking Photography is Making Bobi Wine an Internet Sensation

By Paul Ampurire

On April 26 this year, one of Uganda’s most popular musicians openly declared his intentions to venture into politics, an announcement that sent a mix of waves across the country. Bobi Wine who had for long used his music to advocate for social justice, democracy and transparency in the political leadership was now taking these issues to the Parliament as a legislator.

One can not scrutinize the popularity of Bobi Wine’s month long campaign (and him becoming a Member of Parliament) without appreciating the role played by social media. Everyday, social media was awash with photos and videos of crowds at his rallies, enthusiastic supporters doing the most craziest things, his door to door campaigns and his adored wife Barbie who stood by him all the while.

But hidden beneath the surface, were anonymous faces that played an equally if not more significant part in turning the election (and status) in Bobi’s favor.

One of these faces was (and remains) Andrew Natumanya, commonly named ‘Tabz’ who kept the lens on the events that characterized the month long campaign trail and Bobi Wine’s political figure today as his official photographer.

Bobi Wine (L) poses with his official photographer Andrew Natumanya alias Tabz (R) (Photo Credit: Tabz)

The Story of Andrew Natumanya

A naughty Andrew while in Primary Two (P.2) one day defied school regulations and brought hard corn to class.

The teacher caught him crunching on the corn and asked what he had been eating, Andrew said he was eating tabs (tablets). The teacher searched his bag only for the corn to spill on the floor attracting an outburst of laughter from his classmates. Andrew had got a new name for himself – Tabz.

When I sat down with 24-year-old Tabz, a student of law at Makerere University recently to get a sense of his relationship with Bobi and his reflections of the campaign, I asked him how he ended up into photography.

“I did Law to please my parents and to award their efforts. They did all they could do to educate the four of us (him and his siblings). So I struggled hard to reward their efforts,” he tells me.

During his time at Makerere University, Tabz had focused more through the camera lens than he had focused on acquainting himself with court cases and law related literature. Suffice to say, photography is also a gene he inherited from his father who too had passion for it.

Growing up, Tabz would borrow cameras from friends and take photos and in the process, the interest grew. Then, he began trying more angles and people loved his work.

An election campaign at the university was the propelling point in his pursuit to grow his skill in photography. When his friend Andrew Mujinya chose to contest for Guild Presidency at Makerere University, Tabz was responsible for handling social media for the campaign, so, later he realized they needed photography.

All this while, he had been using borrowed cameras until he finally realized he needed to buy his own camera. And when he put the request to his sister and mother three years ago, they supported him to purchase one at Ush 2.2 million.

“Before I knew it, I was lost in photography more than what I was studying,” Tabz says.

And Kampala being the buzz of activity that it is, Tabz found a window of opportunity in the regular protests, concerts, parties and other events to take photos and share them on social media. To this day, he makes time and sets off on foot around the city to take random shots. You never know where you will land a captivating shot.

Away from the one off photography gigs, Tabz, did media work with Uganda Police, a job that later put him in the middle of some political controversy. On August 10 2016, a day that the Inspector General of Police (IGP) was expected to appear before the Makindye court over allegations of police brutality, Tabz was present to take photos as his work demanded.

When chaos broke out between protesters supporting the IGP and those against, one of the local televisions singled out Tabz and reported that he was among those instigating violence.

“They alleged that I was there to cause commotion, which wasn’t the case. They quickly judged on plain sight. I was only doing media which had nothing to do with Police operations. I don’t like that they’ve never come out to apologize,” in a disgruntled tone, he tells me. That day has stuck with him to date.

He says this incident cast him in bad light especially in the eyes of his friends. But at the same time, it inspired him to work hard to challenge the image the media had portrayed of him.

This aside, his challenges have been; access restrictions by some government organs especially security agencies and limitations in photography equipment due to insufficient funds.

Working with Bobi Wine

Bobi Wine waves to a crowd of onlookers during his political campaigns. (Photo by Tabz)

“He’s been a friend of mine for a long time. I liked his music like anyone else, then I started paying keen attention to his lyrics and it appeared as though he was singing about my life.” he answers when I ask how he got to work with Bobi.

Tabz never could have predicted that at one point, he would be a close associate to his icon (Bobi Wine) let alone become his official photographer. Every person has an encounter with luck that turns their life around, never to be the same again. For Tabz, this was the day he took his very first photo at Bobi Wine’s political campaign.

As the campaign gathered momentum, he secured a leave from his Police work to concentrate on his friend’s political bid in Kyadondo East.

“When you have a friend and they have a wedding, you would have something to contribute. When Bobi Wine was campaigning, I was working for Police. I asked and they granted me leave.” Andrew explains.

He recalls calling Bobi Wine three days into the campaign. “I asked him ‘Bobi, where are you?’ He told me he was already in the campaign and asked me to join in.”

“He didn’t know I would come with my camera because he hadn’t really picked interest in my photography. I spent the entire day taking pictures. But my relationship with him helped me. He quickly became my model and it was easy when I asked him to pose for the camera,” Tabz narrates.

It did not take me time to get a sense of the strong rapport that the two (Bobi Wine and his photographer) have built. Our interview is interrupted by a phone call and Tabz is speaking to Bobi Wine about a request by one of the television stations seeking the MP to appear on a political show later in the week. From the tone of their interaction, you can tell that Tabz is much more to Bobi Wine than just a photographer. Sometimes he offers advice and Bobi Wine heeds to it.

Bobi Wine addressing hundreds of people at one of his campaign rallies. (Photo by Tabz)

In the campaign, after a long day’s work, Tabz would take the photos to Bobi Wine, but it took a while for him (Bobi), he says, to believe it was him taking the photos. As opposed to what many may think – that Bobi Wine’s social media accounts are ran by handlers, Tabz tells me “He [Bobi] personally chooses which photos to post and posts them.”

He chose to resign his job at Police because he realized “that there was a lot of untold stories to Uganda.”

What stands out in his recollection of the time he spent with Bobi Wine pursuing political support is how hectic the daily campaign program got, not only for Bobi but everybody on the campaign team. Their daily routine began as early as 5am before setting out on a door to door campaign where Bobi Wine solicited support from individual households and later climaxed with a rally at 4pm.

“Everyday started with small pockets of people but numbers gradually grew into crowds of people and a lengthy motorcade. You never knew where people came from,” Tabz recounts.

Bobi Wine (in dotted maroon necktie) greets excited roadside vendors at Lukaya along the Kampala – Masaka highway. (Photo by Tabz)

“There’s a day we met a certain man who had a truck. He had doubts that Bobi Wine was part of the procession. He couldn’t believe us until we showed Bobi to him. He surrendered the truck to us for free for the campaign,” he says.

Whereas the gazetted time to end campaigns was 6pm, Tabz’s work was only halfway by this time. It is about the same time that he sat down and began sorting through the photos he had captured the entire day before submitting them to Bobi Wine. He prides in the fact that his work always ended up being posted on Bobi wine’s social platforms even when there were numerous other photographers trailing the campaign.

Amid the busy schedule, limited rest time and negotiating edgy angles to get the perfect shots, Tabz remembers the hardworking nature of Bobi Wine’s wife, Barbra Kyagulanyi (Barbie). “The inner circle of the campaign team comprised of at least 20 people. But Barbie woke up early and prepared breakfast for us all by herself,” he says.

Barbie Kyagulanyi, wife to Bobi Wine having a light moment with the daughter Suubi Nakayi (Photo by Tabz)

I asked him where he strikes the balance between doing his work while ensuring he doesn’t invade Bobi Wine and his family’s private space. At first he laughs it off, before saying; “What are private moments? Bobi Wine no longer has a private life because he is a public figure. There’s not a time when his home is not occupied by over 20 people.”

“You’ve seen photos of him and his daughter which has been trending of late.”

But he quickly adds; “I am an adult and I know what is fit for public consumption and what should be restricted.”

Different people understand Bobi Wine differently. But for someone who has been quite close to Bobi since he joined politics, Tabz describes him as one who is “always ready to stand for the truth even when he stands alone”.

The famous photo when Bobi Wine was blocked at Entebbe

The famous photo that attracted lots of credit online. Police pickups block Bobi Wine’s car in Entebbe as he raises a Ugandan flag and the constitution. (Photo Credit: Tabz)

September 22 was not the best day for Bobi Wine but it is certainly a day that Tabz might live to recall for all the good reasons. The day his photo became an internet sensation, attracting lots of credit on social platforms. Bobi Wine had just landed at Entebbe International Airport from the U.S and on his way to Kampala, police blocked him and demanded that he goes to the police station to record a statement.

It is in that chaos that Tabz took a photo of Bobi Wine with head protruding the roof of his SUV, both arms raised – holding the Uganda flag in his right hand and the constitution booklet in the left hand. Two police pickups stood in front of his car while a few people surrounded Bobi Wine’s car.

The photo, tweeted by Bobi Wine on the very day with a caption “Wake up Uganda” has so far been retweeted close to 1,000 times and attracted close to 2,000 likes. It is among Bobi Wines most engaging and shared photos on Twitter.

“We were coming from the airport, the Police blocked us. When this happened, in a short time, people started converging and the place became full,” Tabz narrates to me.

He adds; “We were there for about an hour. But when I looked at the way the police trucks were packed, I wondered how I could shoot the entire scene. I went behind the trucks and I took the shot.”

“But it was on time because Police had put barricades trying to stop him but on his part, he was arguing ‘I am Ugandan and I am defending my constitution’ (raising a flag in one hand and the constitution in another). But he did it for a few seconds and I captured the moment.”

Responding to the praises that the Entebbe photo has attracted on social media, he tells me it makes him feel “energized” and “challenged” at the same time.

Tabz says he has tried to learn from photographers that are better than him. He is inspired by well timed shots. “Someone takes a picture of a lion jumping on a kob. The lion won’t do it four times for you to get the best shot. So photography is like life. Once a moment is gone, you can never get it,” says Tabz.

I ask Tabz whether it’s true that photographers must think ahead of events or whether some shots just come out of mere luck.

“There’s no shot that comes out of luck. There has to be effort to have your output. If you are going to the field and you want to be comfortable and smart, you won’t get the best work out of you.”

His magic trick is keeping his eye on the lens.

The risk of working with Bobi Wine

Police officers block the road to Nagalama police station. One of the photos taken by Tabz before his equipment was confiscated by security agents

When I rang Tabz to schedule an interview, he didn’t hesitate to it. Part of the reason was that given his work in the context of Uganda’s politics, he wasn’t sure where tomorrow would land him. In other words the stakes are high and the risks involve being arrested.

But he is not scared by any of this.

“I am not intimidated. Freedom and positive change never come on a silver platter,” he replies when I asked whether he is not afraid.

“I am 24 years old and am very sure that H.E Yoweri Museveni won’t be alive n the next 20 years whether he likes it or not. Will I still be jailed? All I know, history will remember me for having fought using what I know best. I know they will confiscate my camera but we shall overcome.”

People like Tabz who are in circles of vocal and provocative opposition politicians are not the most secure people especially in Uganda. In fact, recently, after the infamous brawl in Parliament, his equipment was confiscated by security operatives for no clear reason.

He trailed Bobi Wine the day he got arrested from Parliament to Nagalama several miles outside Kampala. Tabz had been taking photos and making Twitter updates all through the way. But he later noticed a certain Prado with private number plates with UPDF officers was following them.

“The Prado by passed us and parked. Then another vehicle came following and officers rounded us up. My bag was taken and my friend was arrested”. His bag contained two phones, pairs of lenses, cables, a power bank among other things.

“When I went to pick them, they chased me away and threatened to detain me,” he tells me.

“I gave up. I can’t start fighting the entire army of police who are armed. I can’t even challenge them in court. So, i have no option, I will work hard, save more and hope that God will provide.”

He suspects that the entire team working with Bobi Wine is being spied on by security agents who will stop at nothing to break the spirit. “Even when I buy other lenses, I know they will come and get them but that is the oppression we live in.”

Police officers blocking the road with barricades to prevent Bobi Wine from proceeding from Entebbe to Kampala (Photo by Tabz)

Photography in era of social media

With the fast rise of the internet age, many photographers are increasingly establishing a footprint on social media as a way of showcasing their work and pushing their brands. For some, the results have been positive.

Tabz says social media is by far the biggest tool of branding and advertisement. “When you write something in the newspapers or television, but it is difficult to retrieve it as opposed to if someone had it on their phone. Internet does not forget.”

“I value social media a lot,” he says.

The impact of Tabz’s photos has been that their reach on social media has attracted wide attention to the growing political influence that Bobi Wine has had in Uganda in his few months as an MP. So, while Bobi might take all the credit for his people centric political ideals, but the magnitude in which social media has scored extra points for him can’t be underestimated. And Tabz is at the centre of this.

Lately, his posts especially on Twitter are consistently tilting towards photojournalism. If anything were to happen to Bobi Wine, Tabz, is likely to be the first person to break the news. And he has built credible trust given his work with Bobi. Whether Bobi has been arrested, holding a music show, at home interacting with guests or in Namboole stadium cheering the national soccer team, Tabz will feed live updates or post the happenings later through his social media.

Soldiers saluting Bobi Wine and claims that he met with President Museveni

There were recent claims making rounds on social media that Bobi Wine met with President Yoweri Museveni, after photos emerged showing soldiers saluting him during the night. I jokingly asked Tabz whether he has photos of the alleged meeting in his archives.

“This is either a plan by the government to spread propaganda to tarnish Bobi Wine’s name or the opposition trying to stay on top of the news,” Tabz comments.

“Those pictures were taken in Budaka. We came from a concert in Kyotera and drove through Kampala. Why would people allow to be confused? We have cameras and photographic evidence of where we were and what time.”

Tabz reveals to me that there are various other photos of soldiers, policemen and prisons personnel in different places saluting Bobi Wine but which he feels there’s no cause for Bobi Wine to explain himself.

The writer, Paul Ampurire (R) and Tabz (L) chatting moments after the interview

 Photography as a career?

“I told you I did Law to reward the efforts of my parents. They will be rewarded by a transcript (academic document). Once they finally get the transcript, to well with the Law. I must go for where my passion is. How many lawyers do we have and how many photographers do we have?” he says.

But beyond still photography, Tabz also films videos including documentaries and TV commercials.

Tabz says his transition to photojournalism is driven by the realization that “from photography, is a lot of information I could give to the public”

Some of his mentors including the NBS TV CEO Kin Karisa have also wooed him into weaving a career in journalism and he is beginning to.

He intends to “put out fire with fire” by building himself as an investigative journalist.

Some of his career destinations include working with local media like NBS TV as well as international media organizations like Aljazeera, AFP and the BBC.

But first, he says he needs to build up his skill set.

To his fellow millenials, Tabz says they should learn not to despise jobs.

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